Video: All of my art done in 2017.

I wanted to put together a compilation video of all my various art projects in the last year. Hopefully if I do this right, you should be able to watch the video below. I’ll also provide a direct link to the YouTube page in case it doesn’t work here for you.

Looking back on it now, 2016-2017 has been my biggest period of growth since I was a student, as far as my technique development and my creative experimentation is concerned. This past year I tried playing with subjects and ideas that I never would have considered a few years ago because I used to be so stuck in the little box of what should be viewed as “fine art”. That can be a bit of a downside to being exposed to any sort of classical training. You do need those technical skills but you’re also at risk of falling into the us vs them trap of what’s real art and what’s not. I’m happy to say that I think I’ve grown beyond that trap and I’m much more willing to experiment these days.

Now, let’s see if I can post the video here.

Here’s the direct link: https://youtu.be/Vo4z4gJbdq8

As always, if you enjoy my videos, please feel free to subscribe to my channel. I’m hoping to hit 1,000 subscribers this year. Your support means a lot to me!

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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Goals for 2018

I don’t believe in New Year’s resolutions. I do, however, believe in mapping out goals for the year and checking back every so often to see which ones get accomplished. A lot of these are related to art but some are about my writer life as well. Some combine the two halves of who I am. Still others are about personal growth, which we should all strive for on a daily basis.

In no particular order, here are my goals for 2018.

1. Finish novel Exile to the Water’s Edge.
2. Finish the Witch Cottage art series.
3. Teach online class about American witchcraft.
4. Be a better friend.
5. Begin paintings for art book about decaying plantations.
6. Learn embroidery and crochet.
7. Get better at cooking.
8. Visit more Civil War sites.
9. Work more on my family Grimoire.
10. Be brave and try public transportation.
11. Try acrylic painting again.
12. Continue work on book about my ghost encounters.
13. Remember to stop and breathe.
14. Take better care of my health.
15. Forgive myself more often.
16. Improve figure drawing skills.
17. Spend more time drawing from life.
18. Be braver about artistic subjects that matter to me.

I’ve already begun working on my goals about improving my skills and being braver about my subjects. This is my newest piece of art in my sketchbook completed just a few days ago. She is a reflection of myself in the 18th century using a photo of a living historian for reference but changed at my own discretion. This is brave for me because of the way I drew it and what materials I used. I think it turned out well.

Celine II, Jessica Jewett
Celine II. Graphite pencil, and black and white charcoal pencils on mixed media paper. 2017.

What are your goals for 2018? Tell me about them in the comments.

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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I got awesome brush pens by Arteza!

I wanted to tell you guys about the 48 Watercolor Real Brush Pens by the brand Arteza. In the interest of full transparency, Arteza did graciously send me these brush pens to try for free but they did not require me to review them. I’m doing that on my own and all opinions are mine alone. If you’d rather, you can watch the video version of me demonstrating these interesting brush pens.

All 48 brush pens come in a plastic case with trays. I’ve been keeping them in the original box for the time being but I would recommend getting a new container made of sturdier material for long-term use.

Arteza Watercolor Real Brush Pens

Each pen has a single tip as opposed to Copics, Tombows, Prismacolors, ProMarkers, and so forth, that have two different tips on each pen – usually a chisel nib and a bullet nib. These particular brush pens are also much thinner than Copics. They’re more comparable to the Tombow brush pens in size and shape, however, I found the plastic to be more durable on Arteza pens. None of them cracked for me. Since I’m a disabled artist who uses these tools in my mouth, I much prefer my pens to have a single tip with the other end capped off like these Arteza pens. The barrel is sturdy and not easily cracked, even with how hard I have to bite.

What makes these pens different is the brush tip itself. You’re drawing with a marker-paintbrush hybrid. The tip is a literal brush and it behaves on paper like a brush. You can use these pens alone or you can use a separate paintbrush with water to create a much stronger watercolor effect. I like this a lot because my disability makes it difficult to keep track of separate tools for paint, water, brushes, towels, and so on. These brush pens combine several tools into one, which makes my work a lot easier.

Arteza Watercolor Real Brush Pens

The colors blend together fairly well without water too, although I recommend blending colors in the same family like you do with Copics unless you’re going to use water too. Without water, these brush pens don’t blend well if the colors are too far apart. I also wish there was some sort of numbering system or color names on the pens because I had trouble remembering which ones I was using by sight alone. The pigments are intense, which is great, and the moisture is at a good balance between those who will add water and those who won’t.

All in all, I was really happy with these pens. I wasn’t sure what to expect but with my disability, these work better for me than other water-based brush pens. They’re easier for me to hold in my mouth because the ends are solidly capped off and I’m not so focused on being careful of popping the pen and having ink all over my mouth. I think these pens are a good alternative for other disabled artists who have difficulty managing paint, water, and brushes in separate parts.

The 48 set of Watercolor Real Brush Pens by Arteza retails for $87 but you can find them for $37 on Amazon and $30.99 on Arteza.com. They make a line of fine liner pens, metallic pens, colored pencils, various kinds of paper, and quilting supplies too. I’ll do a few speed drawing videos in the future with these pens so you can see them in action on my YouTube channel.

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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Recap of the FamilyHood ATL Art Show

It’s taken me a little while to post a blog about the art show, which was my first public showing of my art pieces. The day after the show, I woke up pretty sick. Apparently my brother had a cold the week before and passed it to me. With my compromised immune system, it took me twice as long to kick the plague and today was the first day I felt like doing any meaningful work. Ah, to be an artist. There’s always pain involved!

I was, to be quite honest, afraid to take my art into the public sphere. It’s almost a cliche but artists always say they put their souls into their work and that makes them feel really exposed when they show it. This was my first time going through that uncomfortable sensation of naked exposure before strangers but I don’t regret it. It was like ripping the Band-Aid off and now I know I can handle it. After the first twenty minutes or so, I began to let myself relax and go with the flow.

FamilyHood ATL Art Show, Jessica Jewett
A scene from the FamilyHood ATL art show that took place on June 30.

Atlanta’s art scene is not at all pretentious or snooty like people might expect in, say, New York or Los Angeles. The people I hooked up with, FamilyHood ATL, base their work on diversity with the Atlanta community and that is really important to me too. I was exposed to so many different artistic styles that I sucked up so much inspiration for my own style as well.

Speaking of style, I’ve been concerned for months that a.) I don’t have an identifiable style or meaningful voice, or b.) my faint style will be received as outdated and old-fashioned because other people don’t do what I do. The fear that I wasn’t cool enough to hook up with the Atlanta art scene was intense in the last week before the show. The thing is, I learned some valuable lessons based on watching people look at my art and formulate their opinions. My style is preserving history through the art of portraiture and it is okay because there aren’t many people in Atlanta doing that kind of thing. There are a lot of people doing awesome street art and pop art but that’s not me. People were welcoming of the fact that I’m different. I need to embrace the fact that my little corner of the art world is cool and accepted because I make history and portraiture cool and accepted for the people looking at my pieces. My fear of being different made me overlook the fact that I’m supposed to be different. Doing this show forced me to think harder about what kind of artist I am and that’s an important lesson.

Watch a video of the art show on my Instagram page.

It was interesting to watch people study my pieces before they got to me and read my bio. They were appreciating my pieces, studying them, discussing them, etc., before they even realized I was in a wheelchair. I can’t tell you how great that was for me. I’m used to people seeing the wheelchair first and then getting excited about the art because I do all of the work with the tools in my mouth. At this show, people were judging my art based on my skill, composition, subjects, and so forth. I ended up watching them like they were the exhibit. My confidence is much better now that I know I can stand on my own two feet as an artist without constantly thinking people like me just for the novelty of drawing with my mouth.

I would definitely say my participation with FamilyHood ATL was a huge success. I sold a few prints and I learned a lot about myself and how unifying artists can be when they embrace diversity.

So what’s next?

Well, I have a few opportunities in the works that will be amazing if they come to pass. One is a local opportunity and the other is a national opportunity. I don’t want to jinx myself by talking about them out loud yet. You’ll be the first to know when everything is solid.

As for my next pieces of art, I’m working on a collection. Nevertheless, she persisted. My goal is to do portraits of women throughout history from different cultures. The female experience is varied in different parts of the world but the one thing that unifies us is persistence. I want to capture that in historical portraits. If they get shown, they have to be shown as a collection in order to get the full impact of what I’m trying to communicate. I hope it goes over well!

She Persisted
She Persisted – Prismacolor colored pencil portrait of Jackie Wyers on heavy drawing paper.

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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EVENT! Come Meet Me And See My Art!

Are you going to be in the Atlanta area at the end of June?

A momentous thing is happening in my life and you can be part of it! I have been invited to take part in a showcase with other Atlanta artists. It’s a casual event open to the public. I’ll be there showing my original art and selling various prints. You can hang out with me and other awesome Atlanta artists who are sharing their work too. There will be live music and a relaxed, creative community atmosphere.

EVENT DETAILS

Host: FamilyHood ATL

Date: Friday night, June 30, 2017

Location: Eventide Brewing
1015 Grant St SE
Atlanta, GA 30315

I have been hard at work for the last month creating new art for this showcase. Even if you’re familiar with my work, you’ll see some new things that reflect my changing views on life.

If you have any questions, feel free to contact me.

I hope to see you all there!

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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I Promised My Mom

37718_454337710085_7256410_nThis is the house that founded my family in Missouri and this is my mother. The story goes like this:

My 10th great grandfather was Maximilian Jewett, who was a deacon and a clothier in the 1600s. He was one of the founding citizens of Rowley, Massachusetts, in Essex County. The family stayed in Rowley for the next hundred years until my 7th great grandfather, Mark Jewett, moved his family to Exeter, New Hampshire, somewhere in the last decade before the American Revolution.

Stay with me now.

Mark’s grandchildren scattered like crazy in the early 1800s. Several went to Maine and several stayed in New Hampshire, while my 5th great grandfather inexplicably decided to break away from the family. His name was also Mark and he uprooted his wife, Patience (a necessary name), and their horde of children, and migrated west to Steubenville, Ohio. So then his son, Gilman Jewett (4th great grandfather), decided Ohio wasn’t west enough. He uprooted his clan and settled in the region of Waterloo, Illinois.

We’re getting to the point. I swear.

His son, my 3rd great grandfather, was orphaned by the age of three if my documentation is right. He was Samuel Lewis Jewett. He married Martha Dorsey in Illinois (I name her because her family were slave owners in Kentucky, a piece of history I’m currently researching). They bought 650 acres on the Missouri River in Cooper County, Missouri, not long before the beginning of the Civil War.

Now we come to the house up in that picture. The farm in its first incarnation during the Civil War was known as the Jewett Spring Mill because it was a timber mill, I think. He built the house in the photo on this post. Grandpa Samuel had enough corn growing there that it attracted General Price of the Confederate Army in 1864, who demanded he grind all that corn to feed the army. Well, after three straight days of grinding, the story goes that Grandpa Samuel had enough and basically told General Price to screw off and he left the farm to go back to Illinois. Allegedly he returned after the war and resumed his mill and farm until he died.

I’m not sure if Grandpa Samuel actually left the farm, however, because my 2nd great grandfather, his son, was born in Cooper County in January 1865. The war wasn’t over yet at that point. Maybe General Price was already gone then and he came back, but I don’t think a Jewett would actually run away like that. Missouri folks are intensely stubborn about their land. I believe the story about General Price but I’m not so sure that he would have attempted crossing the Mississippi while Grandma Martha was pregnant. But who knows? I wasn’t there.

A couple of Jewett generations later, my mom was born in 1959 and raised in that house that Grandpa Samuel built. It was changed and added to a couple of times in the century since it was built but the brick structure is, I think, the original part of the house. My mom told me the house didn’t even have a bathroom until my grandfather married my grandmother in 1950.

What’s my point?

The Jewett house was, when I visited in the late 80s, abandoned and pretty much falling apart even though my great uncle, another Gilman, still owns part of the original 650 acres. We think the house has probably caved in on itself or has been torn down by the county by now. Basically we are the only living people left in this generation who have any memory of the place being a large self-sufficient farm the way it was from just before the Civil War up through my mother’s childhood. When my mom and her siblings are gone, nobody will be alive who can talk about all the outbuildings and what crops were grown, etc.

I promised my mom I would paint the Jewett house of her childhood. The history of it matters. I don’t have very many photos available for reference but I have enough to piece it together for a nice oil painting that will last long after we are gone. In fact I find that oil paintings last even longer than photos, which are far more sensitive to environmental factors, not to mention how many digitized photos get lost when computers die. Think about it. Art is still the most lasting medium.

And that’s why I’m posting this blog here on my art website. You guys are going to follow along with my progress on this oil painting undertaking. I’ll probably start on it this week.

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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