We’re going to save the Chamberlain house!

af0aff4365aeb4f3debee9d880a14d28Short story (although I beg you to read the entire blog): I’m selling a drawing of the Joshua Lawrence Chamberlain house and donating the profits to preservation and restoration efforts.

SOLD! BUY THE CHAMBERLAIN HOUSE ORIGINAL ART HERE.
BUY THE CHAMBERLAIN HOUSE ART PRINTS HERE.

Now, let’s have the whole story. The links will be at the end of the blog again too. I don’t know if my efforts will be successful but my hope is you’ll feel my passion by the end of this blog.

We’re here to talk about something very near and dear to my heart – the Joshua Lawrence Chamberlain house in Brunswick, Maine. The porches that Chamberlain himself built on his home of over fifty years are in structural danger. Together, you and I are going to help. Buildings like this one belong to all of us.

Briefly, Joshua Lawrence Chamberlain was a Union general in the American Civil War who rose to that rank without formal military training (he was a professor before the war). He volunteered for service, and then later became a four-term governor of Maine, followed by president of Bowdoin College.

His wife, Fanny, was a rare example of an independent woman, having a career of her own as a music teacher and an artist before she decided to get married. The two of them were quite liberal in a lot of ways; believing women should be admitted to college wherever they chose, believing in the right to contraception and family planning, believing in racial equality, and so forth.

For a bit of context into the time and place the Chamberlain family lived, they knew Harriet Beecher Stowe, author of Uncle Tom’s Cabin, and attended church with her for years. Stowe sometimes held gatherings of Bowdoin College students in her home where she read chapters of Uncle Tom’s Cabin aloud. Chamberlain took Fanny to some of these readings while they were “dating” (dating wasn’t the term in those days).

968497ed4cf524aa8abf7c61cac8037eNational history largely forgot Chamberlain until Ken Burns heavily featured him throughout his documentary series, The Civil War. Then in the early 90s, Jeff Daniels actually played Chamberlain (seen in character on the left) in the film, Gettysburg, followed ten years later by playing him again in Gods and Generals.

His impact reaches far beyond Maine. Even I live in Atlanta and I’m just three miles from both Chamberlain Street and Oakland Cemetery where one of his best friends, General John B. Gordon, is buried.

You’re beginning to see why this family and this house matter to American history. We could sit here discussing Chamberlain’s fascinating life and undeniable affect on Maine history until we write a book. In fact, there are a lot of books about him, his military commands, and his family.

Not only did the family live in this house for over fifty years, but Henry Wadsworth Longfellow rented rooms in the same house before they bought it. Longfellow’s presence in the house is still felt today in the upstairs parlor where a portion of the wallpaper he put up is still there.

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This is the house today. Originally, it was only one-and-a-half floors. Chamberlain had the entire structure moved to the corner of Potter and Maine, and then lifted about eleven feet off the ground to build an entirely new first floor addition. He designed most of the first floor himself, including a beautiful curved staircase that greeted guests upon walking through the ruby red foyer. It’s is one of the most architecturally important houses in the state of Maine due to the odd mixture of building and decorating styles blended together from different popular aesthetics in the nineteenth century – Cape Cod, Gothic Revival, and some Art Nouveau influences. Chamberlain wasn’t even a trained architect or interior designer.

The Pejepscot History Center (PHC) rescued the house from demolition in 1983 after decades of being rented out to Bowdoin College students. It had been chopped up into seven apartments and the interior was painted psychedelic colors when they acquired it. Almost 37 years under the careful stewardship of historians and volunteers has seen great strides toward preserving and restoring the home to the way it stood when Chamberlain lived there, but only partially so.

As of my last visit, renters still live in the upper portions of the house in, I believe, three apartments because renting brings in money for upkeep. Many of the unoccupied rooms upstairs haven’t yet been restored either, including all of the Chamberlain family bedrooms. The downstairs bathroom with original fittings and the master bedroom upstairs were being used for storage instead of teaching and tourism. It takes a lot of money to preserve and restore historical buildings. Brunswick is a small town and Maine is a small town state.

FB_IMG_1578705918469Why does the decay of an old house matter to me?

My family name is Jewett. That was, once upon a time, an influential name up in Maine, so much so that if you take a drive over to South Berwick, you can tour my ancestors’ home. I’m related to Sarah Orne Jewett and she left her home to Historic New England when she died. If you click on her name, it’ll take you to the website for that house. There, you’ll see the potential when important places have the resources for full, meticulous restoration and preservation. I have a vision for the Chamberlain home being just as preserved, studied, and restored as the Jewett house.

I’ve had the privilege of visiting the Chamberlain house twice. Tour guides were wonderful and well-informed, the gift shop was better than most battlefield gift shops, and there was a beautiful wheelchair ramp built onto the back porch – a rarity for historical landmarks. In the above photo, you’re looking at my first trip to the house twelve years ago when I was quite sick and underweight compared to now. Sick or not, historical preservation is my passion. So I went to Maine.

I’d like to show you more photos from my trips to the Chamberlain house. I quickly grabbed some from my collection so you can see how special this place is to many of us in the American history, women’s history, and Civil War fields.

In 2018 and 2019, the PHC raised $48,000 for serious restoration work on the exterior of the house. They even got the wheelchair ramp rebuilt on the back porch as a bonus. It was a really spectacular job and it all looks like it belonged on the house from the beginning, although General Chamberlain never had a ramp back there.

The old ramp and porch.

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The new ramp and porch.

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I’m showing you this because I want you to see what’s possible through the help of donations, foundations, and grants to not only restore historical landmarks but also to make them accessible to more people in the future. Places like this really depend on tourism for cash flow in addition to the few grants that are available. Tourism matters economically to small towns. It pays to have interesting landmarks, speaking in practical terms. We’re American. We understand that money talks.

Take a look at this photo of the house from the 1870s. Do you see the glass porch on the first floor, and then the open air porch above it? Pay attention to those.

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I’m letting the Pejepscot History Center explain what happened. This is from their fundraiser page. I’m not sure if the fundraiser page is still open, but if it is, I’ll update this blog with a link.

Thanks to $48,000 raised from foundations and individuals over 2018-2019, we were able to undertake extensive exterior restoration work on the Joshua L. Chamberlain Museum starting in the spring of 2019.

Four faces of the building have now been lovingly restored, but in the process, considerable rot due to deferred maintenance in the past was found and corrected.

This led to fewer funds available for addressing the final part of this Phase I restoration effort: the two historic porches on the southeast corner of the building, which have some of the most interesting architecture on the building, and provide considerable structural support.

Unfortunately, they too have more deterioration than originally anticipated, necessitating additional funds to repair and rebuild the porches correctly.

Chamberlain raised the house 11 feet in the air in 1871 to add the lower story, thereby adding the first floor porch himself. He especially loved these porches. Over the years, he and the family enjoyed sitting on them and raising plants in the ample southern sunshine.

IMG_20200106_124930So I decided to make donations interesting. Individually, none of us can afford the $20,000 the PHC needs to raise to save Chamberlain’s porches from decaying and deteriorating. I know I can’t.

But what I can do is use my skills as an artist to draw attention to the house and make it worth your effort to help rescue the house. I’m a portrait artist most of the time, selling commissions of ordinary people as well as portraits set in highly researched historical scenes. To me, the Chamberlain house like all other historical houses are like living things with souls and sets of memories all their own.

The idea occurred to me that if people were willing to buy my portraits of people, perhaps they would be willing to buy a “portrait” of a house. I had already done a Christmas-themed piece of art showcasing the Chamberlain family’s church, First Parish, and I was interested in doing another piece anyway. If I could use my artistic drive to raise awareness for historical preservation, all the better.

So I got to work. Watch the video below to see me in action.

Yes, the manner in which I do my art is a bit different. We’ll go ahead and address the elephant in the room since many of you might be new to my website and my art. If you didn’t guess from my other photos, I’m physically disabled. I was born with a condition called Arthrogryposis and the nature of it means I need to do everything with the tools in my mouth, whether it’s writing, typing, chopping vegetables, sewing, or creating art. I’ve had about nineteen surgeries to date with a high probability of two more surgeries in 2020. Selling art is how I make extra money.

This time, however, I’m not making money from the art. I’ve decided to sell both the original and various sized prints made from the Chamberlain house piece for the benefit of the restoration project. When I sell this piece, I will make a donation from 80% of the profits (I need 20% for shipping, materials, etc.) to the Pejepscot History Center and I will make public all of the pertinent documents. That way everything is crystal clear and there are no questions.

This is the completed piece of art.

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It took me about three weeks to complete it. I used a combination of Pentel mechanical pencils with .5 mm lead and Prismacolor Ebony pencils on 11×14-inch mixed media paper. Each detail of the house was researched and replicated to the best of my ability down to the placement of the trees, the curtains from the 1870s photographs, the wrought iron fence design, and the woodwork. If you look up top, you’ll see the famous chimney Chamberlain added after the war with the Maltese cross. He was a Fifth Corps officer and the Maltese cross was their insignia, a symbol found throughout the house.

You’ll be able to purchase this piece of art in my shop.

SOLD! BUY THE CHAMBERLAIN HOUSE ORIGINAL ART HERE.
BUY THE CHAMBERLAIN HOUSE ART PRINTS HERE.

The original, as in the actual piece of art I worked on, is 11×14 inches and costs $385.00 USD. Prints (5×7, 8×10, or 11×17) range in price from $12.00 USD to $24.00 USD and are made on high quality cardstock with a glossy finish.

Orders larger than 8×10 inches are shipped in a tube with the art rolled inside to protect it from rough postal workers. Orders 8×10 and smaller are shipped in flat bubble mailers reinforced with cardboard. All customers are given a tracking number so they can keep an eye on their packages with the postal service as well. Every order within the United States includes free shipping. Shipping for international orders will be calculated at the time of purchase.

Please consider purchasing this piece. It’s such a worthy cause. I realize there is a lot happening in the world, and I’m doing my part for those causes too, but we should care about American history too.  We need to be thinking about what kind of tangible legacy we’re going to leave our children and grandchildren. Wouldn’t you want to teach your descendants to celebrate and honor a man who believed in the qualities of a better world that we’re still fighting to create? What better way to honor him and his family than to help preserve the place they loved and called home for over half a century?

If you’re not interested in buying my art, that’s quite all right. There are choices.

One option is to let me collect the donations at PayPal.me/ArtByJessicaJewett and I’ll get it to the Pejepscot History Center for you. Please specify that you are donating to the Chamberlain house in the notes. I’ll send donations on the 15th of every month (when there are any) and I will give you copies of the receipts.

Or you can make a donation directly to the Pejepscot History Center, but please make sure you specify that your donation is for the Chamberlain house. They don’t have digital donations aside from the annual membership drives. The new 2020 membership drive hasn’t been created yet since they are closed until February 4.

To donate by mail:

Pejepscot History Center
159 Park Row
Brunswick, ME 04011

By phone: Call (207) 729-6606 to provide a credit card number. They take all major cards.

In person: Drop by their offices at 159 Park Row during open hours.

The Pejepscot History Center is a non-profit, tax-exempt 501(c)(3) organization. Your gift is tax deductible to the full extent allowed by law.

I’m not affiliated with the Pejepscot History Center in any way, nor do I work for them. My fundraising efforts are as a private citizen.


Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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Learning Landscapes

Jessica Jewett, artI have been a portrait artist for so long that I almost got to a point of never imagining myself doing anything else. That’s not necessarily a good thing, however. Artists, in my opinion, should definitely develop a style but not at the expense of challenging themselves. There comes a point when you’re doing the same thing again and again that your creativity goes flat, so it’s incredibly important to find ways to stretch your style into new subjects.

A few years ago, I did this colored pencil piece when I was visiting family in Wyoming. This was where we were camping on the North Platte River a bit upriver from the Alcova Reservoir. I sketched it out in person, took a photo, and then added the color when I got home. It’s fairly obvious to me that I was hesitant and uncertain about how to work with earthy colors as opposed to flesh tones. It’s not terrible but I wanted it to be better. This piece now belongs to my father.

Wyoming Mountains Landscape

I’ve attempted painting landscapes with water elements before. This one turned out very well, much better than I expected at the time. It wasn’t any place in particular but more like a reflection of my thoughts on death and crossing into the afterlife. All in all, not a bad effort but I took it as a fluke because I did this under the guidance of a more experienced painter.

Night scene with a boat dock and the moon.

A trend has been developing, it seems, of me doing better with pencil scenes. It’s not that much of a surprise considering I’ve always done stronger work in charcoal or graphite. But I don’t think landscapes are meant for black and white unless you’re trying to create a darker mood with cemeteries or dilapidated houses. Nature is filled with beautiful colors that express every kind of mood or emotion in the universe and that is the real challenge for an artist to master.

But then I decided to at least work in black and white for a while to master (or at least get better) the technical parts of creating nature-based art. It’s totally different than portraits of people. I cannot approach those things the same way, otherwise I’ll fail at what I’m trying to accomplish. It could be said that people and nature have completely different souls that can’t be interchangeable on paper or canvas.

Recently I attempted doing a drawing of the coast of Scotland in color after such a long time of trying to understand things in black and white. My Scotland drawing was done in Copic markers, which has the benefit of mixing and blending the way I want to do with oil paint but I’m not quite ready to be that advanced yet. Oils are my ultimate goal but it’s been so long since I used them that I think I’m back down to the beginner stage again. That’s fine, though. I can play with color using Copic markers until I’m used to deciphering nature’s palettes and then I can go back to paint.

I’m definitely more energized and ready to try doing more landscapes and seascapes again. Seeing my marked improvement from the Wyoming piece to the Scotland piece tells me that practice really does make perfect, as much as I hate those little sayings. I wanted you all to see the improvement too because some of you might be struggling to master something in your artistic goals. Keep your old stuff because you will see your development over time. And seeing your skills grow will do a lot for your self-confidence as an artist. I certainly haven’t mastered landscapes or seascapes but I can see the evidence that I’m getting better. That’s enough for me.

Take a look at Scotland.

Scotland, Jessica Jewett

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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My Love Affair With Arteza Fineliner Pens

Arteza Fineliners, Jessica JewettIt was a total impulse buy a few months ago and here we are now. My honest confession is that I can’t stop using these pens. They live on my desk on a permanent basis. I’m regretting the fact that I only got the 24 set considering there is the glorious bounty of a 72 set too.

Essentially what you’re getting is a metal tin filled with a variety of colors in the 0.4 mm tip size. To compare with the Sakura Pigma Micron fine liner sizing system, these pens are the same as their 04 size. That means you won’t get the super fine line you can get with the smallest Micron pens but I think Arteza isn’t going for the smallest line. They’re going for something in between that appeals to some professional illustrators right down to people filling in coloring books to relax.

Arteza Fineliners, Jessica Jewett Arteza Fineliners, Jessica Jewett

Now let’s look at the claims Arteza makes about the 24-pen tin that I purchased. The inks in these pens are water-based, which means they are nor permanent like other fine liners. However, they are advertised as being made with non-smudging, odor-free, and acid-free ink. The nibs are long-lasting metal-clad encased tips for precise detailing with rulers and stencils. The triangular-shaped barrel is designed for a perfect grip with the added benefit that they won’t roll off desks or tables. Another claim states that they are ideal for left-handed use.

I can’t say whether these pens are good for right- or left-handed people because I draw with the tools in my mouth due to my disability. I can, however, say the barrel is one of the big reasons why I favor this pen. If you have a mobility impairment, it’s difficult to catch or grab rolling pens, so the triangle shape is easier to hold. The plastic is sturdy as well. I’ve been using these pens regularly for a few months and I haven’t managed to crack any of them yet. So the barrel design is a major pro on the decision whether to try these pens or not.

On the other hand, water-based ink can be a con in the decision-making process because a lot of illustrators out there who use ink often prefer alcohol-based ink. Personally, though, I haven’t found the ink problematic so far. I have found the ink mostly smudge-resistant, bright, strong, and smooth. Only one green pen has minor drag issues but I think that’s a fluke in my pack as opposed to anything reflective of the whole set. That one nib is a little stiff compared to the others. The difference is so minor that I only notice a little drag when I have to fill in a block of color. It is true that the inks are odor-free. I’ve never smelled anything when I use them. When I draw thin lines or fill in color, the ink does not bleed or move around my paper (so far I have used three kinds of paper – two white and one gray). Generally, the ink in these pens is fantastic quality.

Art By Jessica Jewett cropped-artbyjjlogo5.jpg
Forget-Me-Not Pentacle, Jessica Jewett Here are some of my experiments with the Arteza Fineliners.

I’m working on mock ups and ideas for logos, headers, etc., for my art shop, website, business cards, and general publicity. Since they’re just mock ups, they’re not final products. I still have a lot of ideas to sketch out, but that’s the great thing about these pens. You can do a lot of different art styles with them. If I had the bigger sets with more color choices, I could do a lot more too.

The pentacle is something I did for fun, for myself. Pentacles are symbols mostly used by Pagan people today, although they have been used in ancient Christianity and other religious paths as well. It’s important to know that the upright pentacle seen here is a symbol of spirituality, positivity, power, and harmony in  the universe. The inverted pentacle, meaning one turned upside down, is a symbol of the darker arts. They’re not the same.

And forget-me-nots are an important flower to me and I’ve been wanting to practice drawing them. Drawing flowers wreathing different objects has been an exercise of mine lately. I’ve been working on mastering nature, greenery, flowers, rocks, trees, and so on, so I thought the Arteza Fineliners would keep my practice sessions interesting. I respond to color. I’m very stimulated by it. These colors make practice work and experimentation fun for me.

I highly recommend these pens.

You can buy the Arteza Fineliners on their website in different sets ranging from 24 to 72 in number. Prices range from $7.99 to $16.57 on their website at the moment. Those are sale prices and are subject to change at any time.

This was not a sponsored blog. I bought these pens with my own money and I wanted to review them for those who have disabilities and are looking for good products.

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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My #CopicColors Challenge So Far

Last month, I came across an awesome art challenge on Instagram. I immediately wanted to get involved even though I was unaware of it until the second month, so I caught up quickly.

The challenge came about from the Copic brand of art supplies famous for their alcohol-based markers and fine liner pens among other things. On the first of each month, Copic announces three colors that we are to use to create art that month. It can be any kind of art we please but it has to be done only with the three colors they select (plus optional black or white pens for emphasis).

Copic Sea Ocean Markers

I used to be hesitant about using Copic markers. Okay, that’s not entirely accurate. I was afraid of using alcohol-based markers in general because I have to draw with my mouth. As most of you know, I have a disability that makes it impossible for me to draw or write or do anything else with my hands, which means I do those things with the tools in my mouth. If pens crack open or paintbrushes aren’t clean, I can ingest the ink or the paint or whatever, and I can get sick. But I was gifted a pack of ocean-toned Copic markers last summer, so I tried them out. Long story short, they are very well made and I’ve barely left teeth marks on the barrels whereas most markers or pens crack in the first use.

And when this drawing challenge came around, I got excited. I thought it would be fun to do an art project that a lot of other people were doing, like being part of a community.

I wanted to make sure, however, that being part of an art community didn’t compromise my artistic style. The truth is I’m not a typical artist. My subjects are almost always historical, inspired by feminine power in history, or reflective of my religious upbringing (I’m a witch raised by a witch). I knew whatever I did for the color challenge wasn’t going to be like the popular illustration style I’ve seen with Copic artists, nor did I want my art to fit into any mold.

Godey's Lady's Book, February 1856

In thinking about what I wanted to do for my year-long challenge, I only had to look to my antique book collection. I have a full year of Godey’s Lady’s Book from 1856. Godey’s was like a combination of Vogue and Martha Stewart Living for women of the nineteenth century. There are hand-colored fashion plates (like illustrating Vogue models, let’s say) that are stunning works of art to me. Just look at this one on the left from my book.

I love historical fashion plates and I wish we still used them. That was when it hit me. I can create fashion plates progressing from 1800 through the next twelve decades, but instead of copying the old style, I could use the Copic challenge to modernize it with color. I think there’s something interesting in exploring fashion history while layering it with modern color ideas.

Presto! My theme for this year-long project was born. I wrote it down to go like this:

January: 1800-1809
February: 1810-1819
March: 1820-1829
April: 1830-1839
May: 1840-1849
June: 1850-1859
July: 1860-1869
August: 1870-1879
September: 1880-1889
October: 1890-1899
November: 1900-1909
December: 1910-1919

It’s too bad we aren’t on a thirteen-month calendar because then I could have gone into flappers of the Jazz Age as my finale piece! Maybe I’ll do that for myself anyway after the rest of them are done.

Let’s look at the #CopicColor challenge pieces I’ve done so far. The paper I have been using with Copic markers is listed as the “Hammermill Paper, Color Copy Digital Cover, 100lb, 8.5 x 11” on Amazon. I was recommended that paper by Baylee Jae in one of her YouTube videos and I think it’s great for alcohol-based markers but not pencil art. It’s definitely best for ink. You get plenty for your money too.

Miss January – The Purple Lady of 1803

#CopicColors Miss January, Jessica JewettI found the inspiration for Miss January in a portrait from 1803 of a woman who actually lived at that time. I made her into a fashion plate instead of a painting, which created a new and different woman altogether. This was my first fashion plate illustration and I feel like I made some mistakes since I had no real experience before with this style. I’m honestly making it up as I go, which means I ought to be more forgiving of myself, but I’m very critical. I see lots of things that should have been done differently. Still, people seem to like it!

Miss January reminds me of Jane Austen, as does Miss February. You’ll see her in a second. All of Jane Austen’s stories took place in this period. Sometimes I call Miss January and Miss February the Jane Austen Girls.

January’s colors assigned by Copic for this art were B91, V17, and BV02. The only other tool I used was a Micron pen in size 02 for emphasis.

Buy Miss January:

5×7 print on Etsy for $10.00
11×17 print on Etsy for $20.00

Miss February – The Pink Lady of 1815

#CopicColors Miss February, Jessica JewettI’m personally very enamored of this one. I got the inspiration for Miss February from an illustration that was dated 1815, although I don’t know if it was an actual fashion plate or not. Sometimes artists just used the popular style of the period when they were doing pen and ink work. I think the original version was yellow but I might be mistaken.

Naturally I used the colors assigned to me instead and I changed some of the shapes. I’m not adept enough at this illustration style yet to draw it out of my head, hence the inspiration photos from the period. My goal is to be totally historically accurate down to the month if I can.

Miss February was specifically done this way to keep with the Valentine’s Day feeling. I like the way she’s gazing at a double portrait in her hands. I especially like the way she’s sitting incorrectly in her chair (according to etiquette at that time) because it tells me she’s a little bit of a rebel.

February’s colors assigned by Copic for this art were RV32, RV34, and E74. The only other tool I used was a Micron pen in size 02 for emphasis.

Buy Miss February:

5×7 print on Etsy for $10.00
11×17 print on Etsy for $20.00

Miss March – The Green Lady of 1822

#CopicColors Miss March, Jessica JewettI’d say this one has been the hardest for me to do so far. It was probably the plaid fabric that made me struggle as much as I did. I had trouble seeing where the natural skirt folds should be vs where the plaid pattern went. Green is a tough color for me to see for some reason. Multiple shades of green tend to blend into one bright shade if I’m not completely and utterly focused. I think I did fairly well, however.

The inspiration for Miss March did indeed come from a fashion plate dated 1822. I thought all of the foliage in this one made it nice for the green shades assigned to us, although the foliage was not colorized in the original. The first artist intended for the dress and hat (that feather!) to be front and center, so everything else was without color and distraction. I wanted Miss March to feel like a woodland nymph in a way.

March’s colors assigned by Copic for this art were G17, YG17, and YG23. The only other tool I used was a Micron pen in size 02 for emphasis.

Buy Miss March:

5×7 print on Etsy for $10.00
11×17 print on Etsy for $20.00

And there we have it! Those are all of the pieces I’ve done for the #CopicColors challenge up until the present. Sunday is April 1st, so we will most certainly receive our new color assignments that day unless Copic takes a day off for Easter. We’ll see!

I’m also tossing around the possibility of turning this series of illustrations into a calendar or maybe even a book of some kind. It all depends on what I feel after I have all twelve of them in front of me. It also depends on what interests my followers. Who knows? Maybe I’ll do a calendar and a book of short stories based on select illustrations. There are things that interest me about both ideas.

Keep checking back for more in this series!

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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Video: Star Trek fan art

Recently, I posted a speed drawing video on my YouTube channel. Speed drawing videos are basically where you watch an artist complete a drawing without any tutorial tips. It’s sped up so you don’t have to watch hours and hours of tedious work that is, for the most part, only interesting to the artist.

This speed drawing was done as a birthday gift for my friend, Wendy. She was the one who took me on the Star Trek cruise at the beginning of January and we had a big discussion about whether Spock blushes green because Vulcans have green blood. Yes, we are a fabulous level of nerd. I told her I’d do a cartoon of Spock blushing green for her birthday when I got home again.

Cartoon illustrations are a weak area for me. I was trained in more of a classical, realistic style, which is why my illustrations look totally different than my “regular” art. I just haven’t had enough practice with this style to say I’m good at it.

Here’s the video.

And here is a photo of the finished illustration, which Wendy will own as soon as I get it mailed to her.

Jessica Jewett, Star Trek fan art
Star Trek fan art by Jessica Jewett. Copic Ciao markers, Tombow brush pens, Micron liner pens, and Prismacolor colored pencils on white 9 1/2 x 11 cardstock.

As always, if you enjoy my videos, please feel free to subscribe to my channel. I’m hoping to hit 1,000 subscribers this year. Your support means a lot to me!

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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Video: All of my art done in 2017.

I wanted to put together a compilation video of all my various art projects in the last year. Hopefully if I do this right, you should be able to watch the video below. I’ll also provide a direct link to the YouTube page in case it doesn’t work here for you.

Looking back on it now, 2016-2017 has been my biggest period of growth since I was a student, as far as my technique development and my creative experimentation is concerned. This past year I tried playing with subjects and ideas that I never would have considered a few years ago because I used to be so stuck in the little box of what should be viewed as “fine art”. That can be a bit of a downside to being exposed to any sort of classical training. You do need those technical skills but you’re also at risk of falling into the us vs them trap of what’s real art and what’s not. I’m happy to say that I think I’ve grown beyond that trap and I’m much more willing to experiment these days.

Now, let’s see if I can post the video here.

Here’s the direct link: https://youtu.be/Vo4z4gJbdq8

As always, if you enjoy my videos, please feel free to subscribe to my channel. I’m hoping to hit 1,000 subscribers this year. Your support means a lot to me!

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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That time Jonathan Frakes saw me doing really terrible art, but it was okay.

Imagine, if you will, lying by a glorious swimming pool on a warm, sunny afternoon. You’re an artist, which means you carry around pencils and sketchbooks the way other people carry around gum and loose change. Since you’re on vacation, you’re hoping to sketch without the pressure of perfection. The coast of Belize is behind you. The breeze is a welcome relief from the humidity.

Jessica Jewett in Belize.
Jessica Jewett drawing on the Norwegian Jade off the coast of Belize.

Ah, there’s the happy place. You pull out your pencil bag and you begin sketching for no real artistic value – just for your own love of color and light. It’s a terrible sketch that you decide to redo properly once you’re at home with your “real” supplies. This is why you became an artist in the first place. Colors are stimulating and having total control over the story in your sketchbook is the most liberating feeling in a life that often makes you feel trapped in a wheelchair seat belt.

And then, it happens. You feel footsteps close by on the pool deck, so you look up and there he is fussing with his cell phone.

He’s your favorite.

He’s the reason you’re on this ship in the first place.

And he’s coming closer with the warmest grin despite being on the phone, because he remembers you as the lady with the smile and the lovely perfume from the previous night. A toxic sensation of dread and elation washes over you, leaving you rigid and unable to do anything but smile. You don’t want this charming human to see your terrible art lying innocently on the pool chair in front of you because you know you’re capable of so much more. The chance to be impressive is slipping through your fingers.

What’s worse is suddenly realizing your pencil is poking out of your mouth like a blueberry cigarette. You can’t spit it out right there in front of him. That’s so unladylike. Yet you wonder with certain horror if he’s silently trying to piece together why you’re on you’re stomach drawing with your mouth rather than your hands.

I can explain! I’m really a much better artist than this! Let me show you my gallery pieces!

It reverberates in your brain at the same rhythm as his approaching footsteps. Panic begins to bloom in your throat. He’s looking at you in your most vulnerable position, seeing you work with the pencil in your mouth because the universe never gave you the use of your hands. You’ve struggled your whole life to allow people to see you actively being different and he has no idea that it was an internal battle just to come out to the pool deck and draw in front of strangers.

Don’t stop. Please keep walking. But no, wait. You’re my favorite. I want to talk with you and take a photo together. Stay for a minute. Just don’t look at me with pity.

You manage to croak out something resembling, “Hello!” instead.

“Good afternoon,” he says in his cheerful way through his charming smile.

He’s disappearing into the crowds and the moment lets go of your throat. You breathe, torn between thanking the gods and goddesses that he was too busy with a phone call to stop more than a second, and wishing his call had come later so you might have enjoyed a few more seconds of your favorite.

A little while later, you peer down at your horrible sketch and you decide to finish it anyway. Screw it. Jonathan Frakes remembered you from last night. You’re a goddamn queen for a day.

Jessica Jewett, Belize sketch
“The Day Frakes Walked By” by Jessica Jewett. It reads: Upon this day on the ship Jade, whilst sketching the coast of Belize, Jonathan Frakes not only walked by my pool chair twice but remembered me from last night’s meeting. I am the lady with the smile and the good perfume. Always remember Jonathan Frakes likes J’adore by Dior. This sketch is really terrible too but thankfully he didn’t look too close. Oh, and Brent Spiner walked by my pool chair too.

And this, my friends, has been a dramatic retelling of my ten-second encounter with Jonathan Frakes. I wrote it to be tongue-in-cheek but I really did want to tell this story because every type of artist has intense insecurity sometimes, especially faced with another artist that they admire. Intimidation can be very toxic to a person’s creative energy in some ways but it can also push people to do better and challenge themselves more. It just depends on how you channel feelings of intimidation.

The truth is Frakes probably didn’t even notice my odd little setup that afternoon by the pool. If he did, nothing about it struck him as odd. He never stared or flinched or made faces like what the hell is going on here like some other people have done in my past. My tongue-in-cheek story is really a commentary on how we can talk ourselves into believing we’re being judged when that’s the farthest thing from the truth.

So be careful of that toxic thought spiral if you’re an artist. Not everything you do needs to be perfect. Not every artist needs to be perceived as perfect all the time because that’s simply not possible. Doing occasional “bad” art without the pressure to create a masterpiece actually makes you better at your craft.

Here we are in the full shot with my friends Dmitri and Wendy. I love Frakes so much that Wendy gave up her photo op tickets with Gates McFadden so I could meet him. That’s a true friend.

And I’m a true artist even if I was seen doing bad art.

Jessica Jewett, Jonathan Frakes
Jessica Jewett with Jonathan Frakes and friends, Dmitri and Wendy, on the Star Trek cruise in January 2018.

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Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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Goals for 2018

I don’t believe in New Year’s resolutions. I do, however, believe in mapping out goals for the year and checking back every so often to see which ones get accomplished. A lot of these are related to art but some are about my writer life as well. Some combine the two halves of who I am. Still others are about personal growth, which we should all strive for on a daily basis.

In no particular order, here are my goals for 2018.

1. Finish novel Exile to the Water’s Edge.
2. Finish the Witch Cottage art series.
3. Teach online class about American witchcraft.
4. Be a better friend.
5. Begin paintings for art book about decaying plantations.
6. Learn embroidery and crochet.
7. Get better at cooking.
8. Visit more Civil War sites.
9. Work more on my family Grimoire.
10. Be brave and try public transportation.
11. Try acrylic painting again.
12. Continue work on book about my ghost encounters.
13. Remember to stop and breathe.
14. Take better care of my health.
15. Forgive myself more often.
16. Improve figure drawing skills.
17. Spend more time drawing from life.
18. Be braver about artistic subjects that matter to me.

I’ve already begun working on my goals about improving my skills and being braver about my subjects. This is my newest piece of art in my sketchbook completed just a few days ago. She is a reflection of myself in the 18th century using a photo of a living historian for reference but changed at my own discretion. This is brave for me because of the way I drew it and what materials I used. I think it turned out well.

Celine II, Jessica Jewett
Celine II. Graphite pencil, and black and white charcoal pencils on mixed media paper. 2017.

What are your goals for 2018? Tell me about them in the comments.

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

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Inktober 2017: Week 1

Well everybody, we’ve survived the first week of Inktober – those of us who are participating, anyway. If you’re scratching your head at just what I’m talking about, Inktober is an activity that artists do to get to know each other and see new artists in the online world. Every day during the month of October, artists complete an ink drawing and post it online for everybody to see. There is an official prompt word list if people need inspiration but so far I haven’t needed it.

005 Micron Pen, Jessica Jewett This is my second year participating in Inktober, although I didn’t finish last year. I made it halfway through the month, and then I caught a really heinous cold … or maybe it was a sinus infection. I can’t remember. Needless to say, I didn’t finish so I was very determined to finish this year. Not only finish but create a body of work that challenged and stretched my artistic abilities.

Stretching my skills first involved gathering the right materials. My favorite drawing pens are the Micron variety. Copic makes a very similar line of pens but I haven’t ever found them at prices that don’t make me curl up into the fetal position. Micron pens come in several sizes and colors. The most common sizes I reach for are the .45 mm (05) and the .30 (02), both in black. I’ve got a set of colored ones but I haven’t used them yet. I’m enjoying the limited color palette I’m using in my Inktober sketchbook this year, which is mainly black with some light flesh shades and purples. The colors I’m using are the Copic Ciao markers. Those are alcohol-based and some of the ink is bleeding through onto the next page of my sketchbook. If this was a professional job meant to be sold, I’d care more, but as it is, this is only for me to play around and try out different illustration styles to see what I can do.

On the fifth day, I did get a stomach bug. Go figure. I always have some illness or another (compromised immune system) but I pressed ahead anyway. I’m still on schedule! That fact alone makes me very proud of myself. The sixth and seventh drawings are not exactly up to par with my intended plans because I wasn’t feeling well but they’re still worth keeping in my opinion.

Here are days one through seven of my Inktober 2017.

Meet the Artist, Inktober
Days one and two are two-panels introducing the artist. It features a section of what’s in my bag, my religious symbols, likes, dislikes, and a self-portrait.
Witch, Inktober
Day three was my interpretation of a movie still from Snow White.
Pagan Altar, Inktober
Day four was me experimenting with shapes, and light and shadow with ink, which is not something I’ve mastered yet. It turned into a pagan altar featuring a god and goddess statue, a bowl with burning herbs, a crystal ball, a scrying mirror, a bell, wine, and flowers.
Witch Hazel, Inktober
Day five came as a special request by a friend. This is my interpretation of Witch Hazel, another old Disney character.
Witch Potion, Inktober
Day six got harder because I was sick. I drew a fictional advertisement for a potion to make magic powers stronger and more stable. I drew inspiration from old Victorian tonics sold in newspapers and magazines.
Chains, Inktober
Day seven was a look at what I feel like some days with my disability. I live in a body that doesn’t function like it should and I go through periods of feeling like I’m in prison.

So far I do feel like Inktober has been a valuable experience, especially because it’s forcing me to learn a medium I don’t normally employ. We’ll see how I feel when I come back to post days eight through fourteen though!

Are you doing Inktober? Show me your work!

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I’m doing Inktober 2017!

Did you know I’m participating in Inktober this year? Inktober is an activity for artists to share each other’s work and get to know one another. Every day in the month of October, the artist draws something in ink and posts it online. I got this 5×7 sketchbook for Inktober 2017 and I did the introductory drawing to make sure the paper will work with Micron pens. So far so good! No bleed-through yet.

Jessica Jewett, Inktober

Since I’m a disabled artist (I’m a quadriplegic drawing with my mouth), I probably won’t be able to post a drawing video on YouTube every day like other artists do. I think once a week is more reasonable for me. However, I will post all of my daily drawings on my Instagram, which you can find at jj9828.

My Inktober sketchbook is going to be themed along the lines of Halloween, Samhain, spooky, autumn, fall, etc. You get the idea. My materials will be Micron pens, Copic markers, Arteza brush pens, Tombow brush pens, and a Pentel brush pen.

Do you have ideas of what drawings I could do in my little Inktober book? Tell me!

I hope you guys are going to enjoy it starting on October 1! You’ll need to follow these spots to see my daily Inktober posts.

Instagram: http://www.instagram.com/jj9828
YouTube: http://youtube.com/honeysuckle1825

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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