Spineless Stanley Hazard (And Other Adventures)

There may come a time when I can look Jonathan Frakes in the eye and have a conversation without turning tomato red and losing track of basic language skills. This past week wasn’t that time.

But we’re getting closer!

drawing5We have to start way back in 1987 when the Civil War led me to the Final Frontier. I watched the second part of a huge miniseries called North and South that actually began in 1985, but I don’t remember seeing it then. I was pretty young and going through some rough things in my family. The important thing is North & South had a character called Stanley Hazard played by (drum roll, please) Jonathan Frakes, seen here in Book III in 1994. At the same time that he was making Book I and II of North & South, he was also starting to work on Star Trek: The Next Generation. Presto! I followed “the guy with the blue eyes and the chin dimple” (quickly covered by a Civil War-appropriate beard) from the 19th century to the 24th century when I wasn’t interested in sci-fi at the time.

That’s love, folks.

Most of you know me enough by now to understand that I was born with a desperate need for connection to 19th century American history, so me as a child watching a giant Civil War miniseries, despite its major historical costuming flaws, isn’t that unusual. When Jonathan Frakes narrated a documentary called Lee & Grant a few years ago, I lost my mind when I heard his voice and had to pause the TV long enough to tell everybody in my house. I’m just like that. It’s part of my charm.

Last year, I met Jonathan Frakes when my friend invited me on the Star Trek cruise. Let’s revisit that glorious moment.

Jessica Jewett, Jonathan Frakes

He did a Q&A that week and walked right by me because I was too chicken to ask a non-Star Trek question. What I really wanted to know was whether he did any preparation to play a villainous puppet like Stanley Hazard, whether he has interest in the Civil War period in real life, etc. Stuff that matters to me, not that Commander Riker isn’t a fantastic character. Trust me – I wouldn’t kick Riker out for eating cookies in bed. But I’m so invested in American history that I went to college for it before I got too sick to continue. Rooting out other people interested in American history is my stock and trade. So after the Q&A where I remained silent last year, I silently resolved to have North & South art autographed this year just for myself.

That brings us to last week. I boarded the cruise ship armed with unfinished Stanley Hazard art and sequestered myself in a corner of the pool deck to work on it before our ship even left port. They don’t tell you when autographs are right away and I was afraid there wouldn’t be time to finish it. Portraiture is my business, you see. I was swamped with orders well beyond Christmas and I barely had time to sketch out Stanley’s bewildered, resentful face before I left for the cruise. So I had to work on the ship in between activities.

Here’s how the progress went.

At home:


drawing4

On the cruise:

How did it turn out? In my opinion … meh. My problem with it was the rolling, rocking ship and the unfamiliar surroundings. I need my little artist habitat to do my best work, although I did enjoy people coming by on the pool deck to tell me they liked it.

One of the crew people on the ship in particular spent quite a while talking to me about my art. I told her all about Jonathan Frakes and showed her what he looked like in the present so she could spot him when she met him. Every time I saw her after that, she had intel for me like, “Oh hi! Mr. Frakes up in VIP lounge now,” (she was Asian, I think, so English was a little tough) or, “Ah, it’s you, Miss Frakes Girl. You see him yet? You finish your art?” She even showed me the photo she took with him one night in that VIP lounge. I never asked for the intel but she was fun. Like, really, what was I going to do? Sneak into a place I wasn’t allowed to go? That’s not cool.

20190107_102430Yet I did see Jonathan every day on the ship. Most of the time he saw me too, but there were a few times when he was engrossed in talking to other people or headed somewhere fast (someone with legs that long moves much faster than I do) and I just didn’t want to be a bother. I ran into him immediately on my way to breakfast on the first day at sea. A big smile came over him and he rubbed my arm and spoke familiar greetings. I hadn’t had my coffee yet but that was a better wake up than caffeine. If you’ve ever been the target of his real smile, you know what I mean. I couldn’t believe it seemed like he remembered me.

The oddest thing was that we ended up on the same tender boat headed out to Grand Cayman. A zillion boats going back and forth all day and we ended up on the same one just a few rows apart. I don’t think he ever saw me since he was with his friends and I kept to myself out of equal parts politeness and shyness. You will have seen a photo of him snorkeling that day on Twitter. He went out there to see stingrays. As soon as I got off the tender, I went the opposite direction as him. Again, I didn’t want to be a bother.

It got better from there. He always had a big smile for me when we saw each other and said things like, “There she is,” or used kind endearments like “my dear” and the like.

20190106_211012Apparently one night while I was trying to find Jonathan’s photo op line, Jason Isaacs very nearly bumped into me and said hello but I never noticed him. So naturally my brother, who loves Jason Isaacs, made fun of me for the rest of the night and swore he was going to tell Jonathan that I was so laser focused on him that I completely missed Jason right in front of me. He never ratted me out. I think he values his life too much. But he might have had a point. Let’s be real. I spent a lot of time looking for a dress that made me feel like a lady to wear in my photo op. I didn’t say that, of course, but I was hoping Jonathan would notice it. He has to be a mind reader or he sincerely meant it because he said, “Beautiful dress,” without being prompted. The photo here is me strolling the pool deck after seeing him. I look drunk. I swear I wasn’t. I rarely get compliments from men that aren’t followed up by unsolicited photos of nude genitalia or being propositioned to send my own nude photos, so it was a moment.

I don’t fit in this century if we’re honest about it.

The autograph session for Jonathan was close to the end of the cruise, so I had plenty of time to finish my North and South art. I never could get it the way I wanted because of poor lighting and total exhaustion on my part. If you’ve never traveled with me, then you won’t know how much pain I go through every day. I don’t like to dwell on it in the moment, which means someone like Jonathan won’t ever see me suffer. The more I smile, the more my body hurts. Traveling causes more pain and more pain causes my artistic skills to decline. You guys probably can’t see it in Stanley’s finished art, but I can see exactly where my physical struggles overrode my creative drive.

However, Jonathan sincerely seemed to like what I did. I was terrified standing in line because people say he can be indifferent or cold sometimes. They say that about Michael Dorn too. My worst fear was him mumbling hi, how are you, scribbling his name, and moving on to the next person. The reward for an artist isn’t money at all but the fulfillment we get from seeing our work touch another person, especially if they are the muse. I really wasn’t expecting back flips, mind you. I just dreaded feeling passed over.

So Jonathan’s handler took the art first and got very excited over it. She asked to take a photo and she said he was going to love it. I have no idea what she did with the photo but I hope she liked it. When my turn came, he gave me that smile and said, “There she is!” as if he’d been expecting me. He took the art from his handler and he didn’t say anything for a second while I chewed a hole in my lip in abject terror. Then looked over the paper at me and said with a grin, “Spineless Stanley Hazard!” Relief flooded my body and I burst into laughter. He spent time studying my art and saying, “This is so great.” I wanted to say that North and South brought me over to Star Trek TNG through him but I was starting to fall into the dumb, speechless, tomato red thing I do around him. Luckily he was busy trying to plan how and where he was going to sign the art to notice that I was starting to freeze.

When he asked for my name and started to write the J, his eyes slid over to mine and he said, “Don’t you have three names?” It took me a second to realize he probably meant my name on Twitter. I’m listed as Jessica Jewett Jones @JJ9828 on Twitter so people who read my books or buy my art as well as people who know me in real life can find me (Jones is my legal name, Jewett is my name for books and art). I don’t know if he saw the panic alarms going off in my head. He never replies to people, so I figured he didn’t read his tweets. I have a have a habit of live tweeting Riker-centric Star Trek episodes. I express Beardo love on @swear_trek too. Twitter has to be the only place he’d see me with “three names” unless he has a secret Instagram account.

Who knows what kinds of embarrassing tweets he’s seen when I thought he wasn’t looking? Oh well. I never truly say anything online that I wouldn’t want the rest of the world to see. You just never know who’s watching. It’s fine for him to know that the Riker Maneuver in the movie (or generally Riker in combat command) turns me into one of those Victorian women in need of smelling salts. You know what? I own it. Still, I was teased the rest of the night for being busted.

I don’t know if photos in the autograph line were exactly kosher but my brother was behind me and he knew how important that night was to me. He discreetly took a few photos while Jonathan and I were talking. Hopefully we won’t get in trouble for this since it wasn’t done obnoxiously.

All joking aside, after Jonathan signed my art and handed it back to my brother (bonus points to him for knowing I can’t hold objects in my hands without being told), he caught my eye and got serious to say something to the effect of, “It’s always a pleasure to see you. Always.” It was a crowded atrium and I was honestly overwhelmed. But he made a point to make me feel valued and wanted. That meant everything to me.

Here’s the finished art with his autograph.

drawing6

The next time we bumped into each other was unexpectedly at Brent Spiner’s theater show. My brother saw him sitting in my row on the other side of the theater, which was cool, but I wasn’t going to approach him. I never approach him, in fact. I just wait to see if he notices me and he usually does. He spotted me as he was walking by and he called out, “Hey, baby!” and blew a kiss at me with his whole hand. Nope, I can’t tell you what songs Spiner sang for a big part of the show after that. And for most of the second half of the show, while Spiner sang love songs, Jonathan sat right across the aisle from me and it took all of my internal fortitude to stay focused on the show.

I had hoped to catch him one more time on the last day to thank him for being so lovely to me all week. That never happened. I slept in late and then I spent the afternoon with my brother at the bar above the pool deck, ironically not drinking any alcohol. It was just a nice place to sit and watch the world go by.

There were so many other great things that happened on my trip, like Gates McFadden accidentally shoving my chair into Wil Wheaton, but it’s all too much to write in one blog. I mainly composed this one for myself so I could remember the things that were most important to me. If you found it interesting and made it to the end, you’re the kind of person I want to know and I thank you for hanging out here. I think I might do more North and South art once I’m not so buried in commissions too. We’ll see.

Yes, I am going on the Star Trek cruise next year as long as Jonathan Frakes will be there. I’d probably go even if he wasn’t there since it’s my friend Wendy who buys my passage, but he makes it so much more fun for me. And maybe I’ll figure out how to stop blushing like a virgin and say something more intelligent than hi and thank you. That’s really irritating me. I’m a 36-year-old woman who has had almost two dozen surgeries, a dozen broken bones, I’m a domestic abuse survivor, I’m more than a decade sober, and I can’t stand women that get all shy and silent around men. I’m a goddamn warrior! I can handle a 6’4 man like a queen! Next year, I’m going to blow his socks off with my charm and intelligence. He’ll go home and tell Genie Francis how awesome I am (ha!)

Next year’s autograph art? Will Riker vs Thomas Riker. So mote it be.

rikers

Oh, PS, it’s Wendy who has the photo ops and she’s in the middle of moving house during a snow storm. I’ll update this blog when she sends me the photo ops. In the meantime, go ahead and follow my social media at the bottom of this blog for more photos and my latest art projects.

Star Trek the Cruise 2019, signing off. Back to real life.

20190107_112303

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That Was A Plot Twist

Crete Spirit by Jessica JewettYeah, it’s been a minute since I last posted a blog. A lot has been going on, though!

This piece of art on the left completely changed everything for me a few months ago (see more art at the bottom of this blog). A new client approached me and asked for a spirit guide reading, and then, after seeing that I’m an artist too, she asked if I could do a portrait of her guide. Now, I should say that I’ve done a couple of these in the distant past but I never had adequate help to keep up with it. A quality personal attendant matters a lot when you’re a quadriplegic artist. That’s an entirely different discussion, however. Needless to say, producing a continuous stream of new art has become infinitely easier in the last couple of years since I’ve gotten better quality help and longer attendant hours.

Back to this spirit guide order. I wasn’t sure how it was going to go initially because doing it in the past was really tough on me. But when I agreed to try it, I found out that it was just as rewarding for me as it was for my client. I didn’t tell my attendant exactly what the art commission was for right away even though she knows I communicate with the dead and she has a history of root workers in her own family. For some reason, it’s a lot easier to tell strangers in a blog what I’m doing than a person sitting at my desk with me.

Art by Jessica JewettThe process is more involved than ordinary art, as one might guess. I have to see the client through a photo (or in person, but that hasn’t happened yet) in order to make the connection with their guide. And guides don’t communicate verbally at all, whereas most spirits still going through the reincarnation cycle are at least willing to verbally communicate once in a while. The natural method of communication for all spirits, human or not, is mostly sensation through emotion or visual images. They can also cause smells, tastes, etc. Most mediums like me develop a visual language. For example, if a spirit is directing me to the Civil War, I’ll see my Gettysburg DVD cover, or if a spirit is trying to convey romantic love, it’ll be a flower bouquet, or the sensation of an old quilt for family love.

Spirit guides are a little more different than those still going through the reincarnation cycle in that they’re more advanced and their frequency is higher. Frequencies are like tuning in a radio. The bad entities (for me) are metaphorically on the low end of the dial, ordinary souls going through life like you and me are in the middle, and the advanced spirits who no longer reincarnate like guides and healers are on the high end. I used to have trouble establishing a useful link with spirit guides because high frequency spirits are hard to hear, so to speak.

This Crete woman was like learning how to do this work with training wheels. I was taught to use reference photos and how to feel out which ones are right for that spirit because doing art completely from scratch would be too stressful. Now that I’m working on my fifth commission, I see she was right. Reference photos give me a base that I can change as the spirit requires. So far, they’re all okay with my working method. This Crete woman came from a model I found online, except her clothes and hairstyle weren’t right. She wasn’t like what the guide was showing me. I began doing research on historical art from Crete and I found the correct way to do things. Still, most of the women had exposed breasts in this period. My client’s guide indicated that naked breasts hanging on a wall wasn’t going to work in this period, so I was told to cover them.

Art by Jessica JewettAs I began posting drawing progress on Instagram, I noticed my likes and viewership started climbing. So I told people what I was doing. It wasn’t just an art commission. It was spirit communication channeled through art. My viewership went way up again when I finally came clean about it. Before I even finished the Crete portrait and mailed it to my client, I had arranged four more art commissions privately. I was stunned. Over a year of toiling away at my art to try and make some money, and then suddenly working with spirits opened so many more doors for me.

The funny thing is people have been asking for art based on their past lives as well. It’s fairly simple to alter the working process I use to do spirit guide portraits. Instead of connecting to an outside entity, I’m connecting to the client’s subconscious memories just like I’ve been doing in written readings for years.

Here are some of the other spirit art commissions I’ve done since then. Click on them to see them in detail.

Right now I’m all out of room in my schedule to make Christmas as a deadline. To be honest, I probably have enough work to reach March at this point. Isn’t that insane? I went from a fair amount of print sales to being very overwhelmed by my workload.

This is such satisfying work for me even if my family and friends are starting to say the “ghost stuff” in the house is getting out of hand. A few weeks ago, while I was doing past life work connected to John Wilkes Booth, one of my kitchen drawers completely flew out of the slot and skidded across the floor. Now the drawer is broken and won’t fit in the slot right. People are hearing voices and footsteps in my house too. It’s par for the course in my life to attract the dead but it’s getting crowded enough that people without a breath of extrasensory ability are feeling them in and around my house. Nothing is dangerous, though. I just need to re-establish spiritual boundaries around my property.

This work is good. This work is right. I’m making the greater universe tangible for people and that matters a lot to me.

Art by Jessica JewettIf you’d like to get your own art commission, here’s the link: Custom Portrait of Your Spirit Guide or Past Life (8 1/2 x 11) on Etsy.

They are $85.00 US plus shipping and handling. Please be advised that I’m definitely booked through the end of January 2019 right now. Since I do the art on a first come, first serve basis, there is no better time to buy one than another. Just go ahead and get your spot in line.

I love this work so much! I can’t even describe how fulfilling it is to keep this link open to different people who have walked so many different places on this earth. It’s really opening my eyes as much as it is the people who ask me to do this for them.

Who knew this was where my work would lead? It certainly was a plot twist.

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Traveling and Adapting for the Disabled Artist

Me193Last week I bought a few things to get ready for a camping trip in August. I’m going to spend some time with my father’s side of the family in Wyoming again.

The last time I went wasn’t ideal for sketching in the field because I didn’t have the right supplies with me and I didn’t have the right way to pack those supplies. I needed something a little bit larger than my regular pencil bag that I use here at home and I also needed something with a little more security to keep my things from breaking. Airlines can be really rough on luggage. Wood pencils in particular will come out of a flight with the leads shattered all the way up the barrel if they’re not secure, so you won’t have anything to use at your destination.

I looked around Jerry’s Artarama first but I didn’t see anything that was going to work for me. Most pencil bags still look like the one pouch things we had when we were little kids in school, which is not going to help when we’re traveling. When I went to Amazon, I found something with pencil slots, pockets, sturdy construction, etc. It’s listed as the BTSKY High Capacity Zipper Pens Pencil Case-Multi-functional Stationary Pencil Pouch 72 Slots (it’s linked to the direct item). It comes in black, blue, pink, and purple, and it costs $12.99 USD.

Let’s see what it looks like (photos belong to Amazon).

So many things about this pencil bag appealed to me. Primarily it was the compact size while still holding 72 pencils plus other pockets that drew my attention but I also liked the fact that it had a fabric handle and two zippers that meet on the ends or in the middle depending on your needs. You can remove two of the pencil slots if you don’t need all 72 spaces and they’re held in the bag by really strong Velcro.

Things like this really matter when it comes to my disability. I have trouble with zippers but it helps to have two instead of wrestling all the way around those corners with one. I can open one side, turn it around, and open the other side. The fabric handle allows me to attach it to my wheelchair if I’m taking my things out somewhere too. A hard handle wouldn’t work because if it doesn’t fit, it doesn’t fit. There’s at least some flexibility with a fabric handle (also hard handles always hurt my hand). And if I want to remove pencil slots, I won’t need help because they’re in there with Velcro instead of snaps or zippers.

The most important thing that made me choose this pencil bag was the fact that I won’t have to dig for my pencils anymore. They’re all lined up and I know exactly what I have now, which means I won’t waste them and I won’t use the wrong ones. Also, I can pull them out and put them back in without help.

Here’s a video of me flipping through my new bag after I loaded it with my most-used drawing stuff. It’s just a quick iPhone video – nothing professional to go on my YouTube channel or anything. Yup, that’s Madonna in the background.

So what you’re seeing there is me flipping through the pencil bag with a regular Paper Mate pen. I buy those things by the huge box because I use them as pointers for typing, moving things, turning pages in books or magazines, etc. These plain old plastic pens are a great length for helping me do things that I would ordinarily need fingers to do.

One thing I noticed when I saved this video was that people are going to see odd looking tools in the back portion of my new pencil bag. It occurred to me that I ought to tell everybody about the tools because I made them out of necessity. There are plenty of blending methods involving paper stumps, q-tips, toilet paper, etc., but I learned very early on that I can’t put soft things in my mouth. They tend to melt and fall apart due to the combination of my body heat and saliva no matter how well I control it.

Here are some of my most used tools.

IMG_9100

From left to right, there is a retractable eraser, a homemade blending stump, and a homemade toilet paper blender. Since the biggest problem with most art tools when you draw with your mouth is soft things falling apart, it goes without saying that rigging new tools is most importantly about keeping those soft things out of my mouth. Stability is the second most important factor in designing adaptable tools because a lot of art techniques will eventually require heavy pressure applied to the paper. The third factor is the bonding agent remaining resistant to moisture and body heat for a long time. I’ve learned these three factors after years of trial and error.

The first item is straightforward. It’s a Pentel Clic Retractable Eraser with Grip sold for $3.97 USD on Amazon. There are a few other kinds out there too. These are great for people with limited fine motor skills because there is more to grab onto than a tiny square piece of rubber. The plastic outer casing also prevents artists who draw with their mouths from biting through the eraser itself. I find the slider very ease to push when I need more eraser too.

The second item builds upon the first. My main problem with blenders is they’re so short. If I used it on it’s own, aside from the problem of being soft material, I’ll end up going cross-eyed and rubbing my nose all over the paper. Not fun. So what we do is get a retractable eraser that I don’t use anymore and I attach the blender to it with electrical tape. The type of tape is really important because it needs to be as strong as possible and as waterproof as possible. I do not recommend masking, Scotch, or pretty planner tape because will fall apart within the first hour. When you need clean blender, just rub it on sandpaper or change it out with a new one by cutting open the tape and rigging a whole new piece. I only have to change my blender once every three months or so.

The third tool is a very similar concept. I used an old mechanical pencil instead because that was what I had available at the time. It could just as easily have been another retractable eraser. For toilet paper blending, it’s a little more difficult. The best way is to wad up a tight ball about the size of a marble and then wrap a few smooth layers around it, leaving enough to wrap around the pencil or eraser. Use the electrical tape to secure it tightly. You will have to change the toilet paper ball more often than the blending stump but it is great for blending skin and sky.

I hope this gives you a glimpse into how and why I choose my art supplies. If there are any other artists with mobility limitations, maybe these ideas will help you too.

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Learning Landscapes

Jessica Jewett, artI have been a portrait artist for so long that I almost got to a point of never imagining myself doing anything else. That’s not necessarily a good thing, however. Artists, in my opinion, should definitely develop a style but not at the expense of challenging themselves. There comes a point when you’re doing the same thing again and again that your creativity goes flat, so it’s incredibly important to find ways to stretch your style into new subjects.

A few years ago, I did this colored pencil piece when I was visiting family in Wyoming. This was where we were camping on the North Platte River a bit upriver from the Alcova Reservoir. I sketched it out in person, took a photo, and then added the color when I got home. It’s fairly obvious to me that I was hesitant and uncertain about how to work with earthy colors as opposed to flesh tones. It’s not terrible but I wanted it to be better. This piece now belongs to my father.

Wyoming Mountains Landscape

I’ve attempted painting landscapes with water elements before. This one turned out very well, much better than I expected at the time. It wasn’t any place in particular but more like a reflection of my thoughts on death and crossing into the afterlife. All in all, not a bad effort but I took it as a fluke because I did this under the guidance of a more experienced painter.

Night scene with a boat dock and the moon.

A trend has been developing, it seems, of me doing better with pencil scenes. It’s not that much of a surprise considering I’ve always done stronger work in charcoal or graphite. But I don’t think landscapes are meant for black and white unless you’re trying to create a darker mood with cemeteries or dilapidated houses. Nature is filled with beautiful colors that express every kind of mood or emotion in the universe and that is the real challenge for an artist to master.

But then I decided to at least work in black and white for a while to master (or at least get better) the technical parts of creating nature-based art. It’s totally different than portraits of people. I cannot approach those things the same way, otherwise I’ll fail at what I’m trying to accomplish. It could be said that people and nature have completely different souls that can’t be interchangeable on paper or canvas.

Recently I attempted doing a drawing of the coast of Scotland in color after such a long time of trying to understand things in black and white. My Scotland drawing was done in Copic markers, which has the benefit of mixing and blending the way I want to do with oil paint but I’m not quite ready to be that advanced yet. Oils are my ultimate goal but it’s been so long since I used them that I think I’m back down to the beginner stage again. That’s fine, though. I can play with color using Copic markers until I’m used to deciphering nature’s palettes and then I can go back to paint.

I’m definitely more energized and ready to try doing more landscapes and seascapes again. Seeing my marked improvement from the Wyoming piece to the Scotland piece tells me that practice really does make perfect, as much as I hate those little sayings. I wanted you all to see the improvement too because some of you might be struggling to master something in your artistic goals. Keep your old stuff because you will see your development over time. And seeing your skills grow will do a lot for your self-confidence as an artist. I certainly haven’t mastered landscapes or seascapes but I can see the evidence that I’m getting better. That’s enough for me.

Take a look at Scotland.

Scotland, Jessica Jewett

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I got awesome brush pens by Arteza!

I wanted to tell you guys about the 48 Watercolor Real Brush Pens by the brand Arteza. In the interest of full transparency, Arteza did graciously send me these brush pens to try for free but they did not require me to review them. I’m doing that on my own and all opinions are mine alone. If you’d rather, you can watch the video version of me demonstrating these interesting brush pens.

All 48 brush pens come in a plastic case with trays. I’ve been keeping them in the original box for the time being but I would recommend getting a new container made of sturdier material for long-term use.

Arteza Watercolor Real Brush Pens

Each pen has a single tip as opposed to Copics, Tombows, Prismacolors, ProMarkers, and so forth, that have two different tips on each pen – usually a chisel nib and a bullet nib. These particular brush pens are also much thinner than Copics. They’re more comparable to the Tombow brush pens in size and shape, however, I found the plastic to be more durable on Arteza pens. None of them cracked for me. Since I’m a disabled artist who uses these tools in my mouth, I much prefer my pens to have a single tip with the other end capped off like these Arteza pens. The barrel is sturdy and not easily cracked, even with how hard I have to bite.

What makes these pens different is the brush tip itself. You’re drawing with a marker-paintbrush hybrid. The tip is a literal brush and it behaves on paper like a brush. You can use these pens alone or you can use a separate paintbrush with water to create a much stronger watercolor effect. I like this a lot because my disability makes it difficult to keep track of separate tools for paint, water, brushes, towels, and so on. These brush pens combine several tools into one, which makes my work a lot easier.

Arteza Watercolor Real Brush Pens

The colors blend together fairly well without water too, although I recommend blending colors in the same family like you do with Copics unless you’re going to use water too. Without water, these brush pens don’t blend well if the colors are too far apart. I also wish there was some sort of numbering system or color names on the pens because I had trouble remembering which ones I was using by sight alone. The pigments are intense, which is great, and the moisture is at a good balance between those who will add water and those who won’t.

All in all, I was really happy with these pens. I wasn’t sure what to expect but with my disability, these work better for me than other water-based brush pens. They’re easier for me to hold in my mouth because the ends are solidly capped off and I’m not so focused on being careful of popping the pen and having ink all over my mouth. I think these pens are a good alternative for other disabled artists who have difficulty managing paint, water, and brushes in separate parts.

The 48 set of Watercolor Real Brush Pens by Arteza retails for $87 but you can find them for $37 on Amazon and $30.99 on Arteza.com. They make a line of fine liner pens, metallic pens, colored pencils, various kinds of paper, and quilting supplies too. I’ll do a few speed drawing videos in the future with these pens so you can see them in action on my YouTube channel.

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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Recap of the FamilyHood ATL Art Show

It’s taken me a little while to post a blog about the art show, which was my first public showing of my art pieces. The day after the show, I woke up pretty sick. Apparently my brother had a cold the week before and passed it to me. With my compromised immune system, it took me twice as long to kick the plague and today was the first day I felt like doing any meaningful work. Ah, to be an artist. There’s always pain involved!

I was, to be quite honest, afraid to take my art into the public sphere. It’s almost a cliche but artists always say they put their souls into their work and that makes them feel really exposed when they show it. This was my first time going through that uncomfortable sensation of naked exposure before strangers but I don’t regret it. It was like ripping the Band-Aid off and now I know I can handle it. After the first twenty minutes or so, I began to let myself relax and go with the flow.

FamilyHood ATL Art Show, Jessica Jewett
A scene from the FamilyHood ATL art show that took place on June 30.

Atlanta’s art scene is not at all pretentious or snooty like people might expect in, say, New York or Los Angeles. The people I hooked up with, FamilyHood ATL, base their work on diversity with the Atlanta community and that is really important to me too. I was exposed to so many different artistic styles that I sucked up so much inspiration for my own style as well.

Speaking of style, I’ve been concerned for months that a.) I don’t have an identifiable style or meaningful voice, or b.) my faint style will be received as outdated and old-fashioned because other people don’t do what I do. The fear that I wasn’t cool enough to hook up with the Atlanta art scene was intense in the last week before the show. The thing is, I learned some valuable lessons based on watching people look at my art and formulate their opinions. My style is preserving history through the art of portraiture and it is okay because there aren’t many people in Atlanta doing that kind of thing. There are a lot of people doing awesome street art and pop art but that’s not me. People were welcoming of the fact that I’m different. I need to embrace the fact that my little corner of the art world is cool and accepted because I make history and portraiture cool and accepted for the people looking at my pieces. My fear of being different made me overlook the fact that I’m supposed to be different. Doing this show forced me to think harder about what kind of artist I am and that’s an important lesson.

Watch a video of the art show on my Instagram page.

It was interesting to watch people study my pieces before they got to me and read my bio. They were appreciating my pieces, studying them, discussing them, etc., before they even realized I was in a wheelchair. I can’t tell you how great that was for me. I’m used to people seeing the wheelchair first and then getting excited about the art because I do all of the work with the tools in my mouth. At this show, people were judging my art based on my skill, composition, subjects, and so forth. I ended up watching them like they were the exhibit. My confidence is much better now that I know I can stand on my own two feet as an artist without constantly thinking people like me just for the novelty of drawing with my mouth.

I would definitely say my participation with FamilyHood ATL was a huge success. I sold a few prints and I learned a lot about myself and how unifying artists can be when they embrace diversity.

So what’s next?

Well, I have a few opportunities in the works that will be amazing if they come to pass. One is a local opportunity and the other is a national opportunity. I don’t want to jinx myself by talking about them out loud yet. You’ll be the first to know when everything is solid.

As for my next pieces of art, I’m working on a collection. Nevertheless, she persisted. My goal is to do portraits of women throughout history from different cultures. The female experience is varied in different parts of the world but the one thing that unifies us is persistence. I want to capture that in historical portraits. If they get shown, they have to be shown as a collection in order to get the full impact of what I’m trying to communicate. I hope it goes over well!

She Persisted
She Persisted – Prismacolor colored pencil portrait of Jackie Wyers on heavy drawing paper.

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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Getting Ready For My Gallery Show And The Luxembourg Art Prize

I haven’t been posting blogs as often as I want lately because I’ve been really busy producing more art for my show here in Atlanta at the end of the month. It has been an exciting but exhausting time seeing how far I can go with my artistic capabilities.

This week we started setting aside all of the pieces that I feel are good enough to be part of my gallery show. There are big gaping holes on my walls now because several of the best pieces were hanging in the bedroom and the bathroom. It’s been a process starting from scratch and investing money in prints, packaging materials, etc. The art community I’m joining encourages people to sell their art at the show, although I prefer not to sell my originals until I have a bigger portfolio. A bunch of my smaller pieces still need to be matted for hanging but I think I’m over the hump of the most amount of prep work.

Of course, I’m nervous. There are seeds of doubt inside of me always saying I’m not good enough, I’m irrelevant, nobody cares about portraiture work anymore, etc. My style of art is more suited to previous centuries than current abstract or pop art trends. I really can’t align my brain with abstract or pop art. My best work is in realistic portraiture, which is sometimes considered a dead art form since people have cameras now. But it’s who I am. It’s what I do. I can’t change for modern tastes.

Unrelated to my upcoming show, I finalized my entry for the Luxembourg Art Prize. It’s open to the international world and the prize is quite substantial. That’s not why I entered though. Don’t get me wrong – the money would be really nice and allow me to spend some time in Europe – but my reason for entering is more personal. I have been stagnate as an artist for years because I allowed myself to drown in insecurity and fear. This year I’ve committed myself to understanding that there are always going to be artists with more talent than me but that’s true for everyone. I have to stop thinking of myself as unworthy and start thinking of myself as a creative being with valuable things to say. So entering such a big contest was my way of ripping off the Band-Aid. Who knows? Maybe I’ll be a finalist. Last year’s winner was American too.

I’ve finished two new pieces of art this week and I just started my third today. These two were done in charcoal and graphite. The one I started today is in colored pencil.

Colonial Woman
Colonial Woman – charcoal and graphite pencils on heavy drawing paper.
Gone With the Wind Boudoir II Drawing
Gone With the Wind Boudoir II Drawing – Graphite and charcoal pencils on heavy drawing paper.

If you’d like to come to my gallery show, here’s the information.

Host: FamilyHood ATL

Date: Friday night, June 30, 2017

Location: Eventide Brewing
1015 Grant St SE
Atlanta, GA 30315

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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EVENT! Come Meet Me And See My Art!

Are you going to be in the Atlanta area at the end of June?

A momentous thing is happening in my life and you can be part of it! I have been invited to take part in a showcase with other Atlanta artists. It’s a casual event open to the public. I’ll be there showing my original art and selling various prints. You can hang out with me and other awesome Atlanta artists who are sharing their work too. There will be live music and a relaxed, creative community atmosphere.

EVENT DETAILS

Host: FamilyHood ATL

Date: Friday night, June 30, 2017

Location: Eventide Brewing
1015 Grant St SE
Atlanta, GA 30315

I have been hard at work for the last month creating new art for this showcase. Even if you’re familiar with my work, you’ll see some new things that reflect my changing views on life.

If you have any questions, feel free to contact me.

I hope to see you all there!

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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VIDEO: Gone With the Wind Fan Art

Watch as I take you through the two week process of creating a piece of fan art dedicated to Scarlett O’Hara (Vivien Leigh) and Rhett Butler (Clark Gable) from Gone With the Wind.

Materials Used

-Canson XL Series Mix Media Pad, 11×14 inches
-Pentel Pd105t Techniclick Mechanical Pencil Side click 0.5mm
-Prismacolor Ebony Graphite Drawing Pencils
-Staedtler Stick Erasers
-Blending Stumps, 12mm
-Custom Blending Tool (Q-tip taped to mechanical pencil)

Please check out my YouTube channel at http://www.youtube.com/user/honeysuckle1825 if you’re interested!

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


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VIDEO: Working On My Grimoire

As some of you probably know by now, I’m a Pagan. This is my Facebook Live broadcast from March 2, 2017, about my family Grimoire and I worked on some art in it. I’ll do future Facebook Live broadcasts over at http://www.facebook.com/JessicaJewettOnline if you’re interested.

Please remember to check out my YouTube channel at http://www.youtube.com/user/honeysuckle1825 as well!

Donation

Please consider making a donation to help me keep up with the cost of art supplies, living expenses, equipment related to my disability, and so forth. The minimum is set at $10.00. Thank you for your generosity.

$10.00


Follow me on social media!

Jessica Jewett, InstagramJessica Jewett, FacebookJessica Jewett, TwitterJessica Jewett, YouTube